[*] Download Tomino Fonts

Tomino We are and so proud to introduce our very best font to you. This Tomino is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Tomino is a dot serif, or a sans-serif decorated with dots. It’s wide and clear, and works great in small and large sizes.

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[**] Download Paradise Lost Fonts

Paradise Lost We are and so proud to introduce our very best font to you. This Paradise Lost is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Paradise Lost is a 1667 poem by John Milton which mostly concerns the Biblical story of the Fall of Man, Eve’s temptation by the devil and the expulsion of Adam and Eve from Eden. It’s quite a hefty read, as the poem consists of ten books with over 10.000 lines of verse. Needless to say, I didn't read it all. But, it did give me inspiration for a font, which I called Paradise Lost. It’s a good name, even though there is nothing Biblical about this font. Paradise Lost was created (pun intended) using a broken bamboo satay skewer and Chinese ink. It is all caps, but upper and lower case differ and like to mingle. I also included several ligatures for double lower case letters (aa, ee, jj, kk, etc.). Paradise Lost comes with an eternity of diacritics.

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[*] Download Foundry Fabriek Fonts

Foundry Fabriek We are and so proud to introduce our very best font to you. This Foundry Fabriek is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Foundry Fabriek was inspired by the concepts behind industrial fabrication, where and how parts of materials or structures are united. The systematic grid, formed by stencil shapes, is indicative of the work of Wim Crouwel, consultant on the development of this typeface. The compact character widths of Foundry Fabriek are consistent over the five weight progression, giving flexibility for a variety of applications. The characteristic letterforms have an extra dynamic in large scale, perhaps in cast concrete or laser cut metal, to form integrated components in architectural or signage projects.

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[} Download PF Centro Slab Press™ Fonts

PF Centro Slab Press™ We are and so proud to introduce our very best font to you. This PF Centro Slab Press™ is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Centro Slab Press: Specimen Manual PDF Ever since its first release, Centro Slab has been particularly popular with corporate applications, branding and print media. The new Centro Slab Press version was redesigned with narrower proportions which are better suited for publications such as magazines and newspapers as well as web applications. Centro Slab Press is a very clean and legible typeface even at heavier weights, a characteristic which is not often seen among slab typefaces. This is part due to the fact that Centro Slab Press is not overpowered by clumsy serifs. Instead it incorporates semi-slabs which provide comfortable reading without compromising its modern profile. The italics are narrower than the romans and incorporate beautiful cursive characteristics. More… Each style consists of 659 glyphs with several opentype features and an extended set of characters which support more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet. The family is composed of 16 styles from ExtraThin to UltraBlack along with their italics. All weights were meticulously hinted for excellent display performance on the web.

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[*] Download Befter Sans Fonts

Befter Sans We are and so proud to introduce our very best font to you. This Befter Sans is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Befter Sans is a humanist typeface for display use or short texts. Use traditional combined with contemporary design to make it looks classic, but feel new. Befter has 8 weights plus matching true italics.Download the full specimen here

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[>> Download Bw Surco Fonts

Bw Surco We are and so proud to introduce our very best font to you. This Bw Surco is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Bw Surco is a fresh and optimistic humanist sans serif with hand-stroke cues. Its soft, rounded shapes, balanced x-height and the contrast between the romans and the true italics, all build towards a very practical font family with a friendly and spontaneous personality. It comes in 12 styles supporting all European Latin and Cyrillic languages, with stylistic variations for Bulgarian, Serbian and Macedonian. It features many OpenType features like old style and lining figures, case-sensitive forms or fractions. More… The intermediate weights perform very well for mid length texts while the Light and the Black really stand out when used at large sizes, bringing a positive voice to any branding, packaging or advertising project.

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[>> Download Dnipro Fonts

Dnipro We are and so proud to introduce our very best font to you. This Dnipro is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s. Latin letters of the font have half-uncial forms, which makes it appropriate for the printing of the relevant content. Besides its decorative properties the font is easy to read and quite suitable for short texts. It is well suited for folk tales, Ukrainian and Slavic in general as well as Western European.

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@ Download Woodbranch JNL Fonts

Woodbranch JNL is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Woodbranch JNL is fantastic and worthwhile for you.

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Woodbranch JNL is a solid version of the 2013 font release Woodlawn JNL. The design was originally based on examples of an outline (open face) wood type. This interpretation takes on newer, stronger characteristics as a bold typeface when the “inner letters” of the original alphabet were removed, yet the imperfection of the wood type pieces are still maintained.

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[} Download Music Festival JNL Fonts

Music Festival JNL We are and so proud to introduce our very best font to you. This Music Festival JNL is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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The Federal Music Project was part of Franklin D. Roosevelt’s WPA (Works Progress Administration), putting many people back to work in the Depression years of the 1930s. A hand-lettered poster advertising an “American Music Festival” featuring the Bridgeport Symphony Orchestra offered up the extra bold Art Deco inspiration which became Music Festival JNL

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[***] Download Polke™ Fonts

Polke™ is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Polke™ is fantastic and worthwhile for you.

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Polke is a single weight display face brimming with style and charm but simultaneously exuding impressive core strength and a vibrant personality. Floating ball terminals rub shoulders with contrasting sharp and rounded letterforms to produce a distinctively decorative headline font built on robust foundations. Polke’s name is derived from the striking terminal dots which dominate the character set, creating a Polka-Dot effect throughout. I also had the artist Sigmar Polke in mind which explains the spelling, and so the two ideas simply morphed together.

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!!! Download Tactic Sans™ Fonts

Tactic Sans™ We are and so proud to introduce our very best font to you. This Tactic Sans™ is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Tactic Sans was created to be as versatile as a special forces operator. Seven weights times three widths, all with italics, means that Tactic Sans has forty-two options to make every design accomplish its mission. From military to sports, posters to email blasts, Tactic Sans works for almost any project. Tactic Sans supports extended Latin alphabets as well as Cyrillic alphabets. Opentype accessories include: Alternate Characters, Tabular Lining Figures, Ligatures (including symbol ligatures), Numerators (including $¢£€¥ƒ#%) Denominators Superscript & Subscript, Fractions and more!

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## Download Leuk Fonts

Leuk We are and so proud to introduce our very best font to you. This Leuk is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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The Dutch word “leuk" translates loosely to English as pleasant, jolly, funny, witty, clever, nice, sweet, kind, nice, amusing, entertaining, and funny. Leuk, the font, is a small, highly legible font with a witty, sociable personality that engages it’s readers. My challenge in designing Leuk was to find a unique feature to set apart the font without losing the fundamentals of type design. In the process of doing so, I created a virtual font “smile and wink” in the “o” upper and lowercase with integrated stencil-connecting strokes within the “a,e, k, z, o, ß” to reveal Leuk’s calligraphic roots. More… Legible and friendly, Leuk is designed for use in advertising, brochures, promotion, book cover design, packaging, and the like. The Leuk family consists of Leuk Light, Leuk Light Italic, Leuk Regular, Leuk Italic, Leuk Bold, Leuk Bold Italic, Leuk Black, Leuk Black Italic in Opentype format.

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# Download PF DIN Serif™ Fonts

PF DIN Serif™ We are and so proud to introduce our very best font to you. This PF DIN Serif™ is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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DIN Serif: Specimen Manual PDFThe DIN Type System: A Comparison Table This is the first ever release of a true serif companion for the popular DIN typeface. DIN Serif originated in a custom project for a watchmaking journal which required a modern serif to work in unison and match the inherent simplicity of DIN. As a result, a solid, confident and well-balanced typeface was developed which is simple and neutral enough when set at small sizes, but sturdy and powerful when set at heavier weights and bigger sizes. It utilizes the skeleton of the original DIN and retains its basic proportions such as x-height, caps height and descenders, whereas ascenders were slightly increased. More… DIN Serif makes no attempt to impress with ephemeral nifty details on individual letters, but instead it concentrates on a few modern, functional and everlasting novelties which express an overall distinct quality on the page and set it apart from most classic romans. This is a low contrast typeface with vertical axis and squarish form which brings out a balance between simplicity and legibility. Its narrow proportions offer economy of space which is critical for newspaper body text and headlines. At small sizes the text has an even texture, it is comfortable and highly readable. The serifs are narrow at heavy weights and when tight typesetting is applied at large sizes, the heavier weights become ideal for headlines. DIN Serif was inspired by late 19th century Egyptian and earlier transitional roman faces. Bracketed serifs were placed on the upper part of the letterforms (this is where we mostly concentrate our attention when we read) whereas small clean square serifs were placed on and under the baseline to simplify the letterforms. In order to reduce visual tension at the joins and make reading smooth and comfortable, a slight hint of bracketed serif was added at the joins in the form of a subtle angular tapered serif, which softens the harsh angularity. These angular tapered serifs tend to disappear at smaller sizes (or smooth out the joins) but stand out at bigger sizes exuding a strong, modern and energetic personality. What started out as a custom 2 weight family, it has developed into a full scale superfamily with 10 styles from Regular to ExtraBlack along with their italics. Additional features were added such as small caps, alternate letters and numbers as well as numerous symbols for branding, signage and publishing. All weights were meticulously hinted for excellent display performance on the web. Finally, DIN Serif supports more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet.

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[##] Download Intercom Fonts

Intercom is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Intercom is fantastic and worthwhile for you.

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For a constructed sans, Intercom’s letterforms are quite open, which increases their legibility. The typeface is designed for newspaper headlines and other editorial or corporate identity projects. It features lowercase letters with a tall x-height, combined with very short ascenders and descenders to enable compact multi-line settings. Letterforms have visible stroke-contrast, and everything about the design is as streamlined as possible. There are 390 glyphs in each weight, and every font includes an alternate spurless form of the lowercase letter ‘r’.

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[***] Download Cadenza Fonts

Cadenza is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Cadenza is fantastic and worthwhile for you.

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Cadenza is a bold condensed display font that combines flair with functionality, elegance with utility. Its weight and readability make it ideal for newspaper and magazine headlines, titling and signage.

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[###] Download Optimisti Fonts

Optimisti is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Optimisti is fantastic and worthwhile for you.

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“Optimisti” is Finnish for optimist – and optimism is exactly the feeling this handwriting font conveys. It is casual, playful, natural looking and character-strong – a perfect solution for headlines, slogans, teaser texts and brand naming. The family contains two styles which differ in their outline structure: Optimisti Smooth and Optimisti Sparkling. – Use the first to create a gentle typographic breeze and the second for a fresher one in print, on the web, and on packaging. Optimisti supports 100 languages. It has a Western European, a Central European and an Extended Cyrillic character set.

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# Download Little Boy Blue Fonts

Little Boy Blue We are and so proud to introduce our very best font to you. This Little Boy Blue is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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I believe it was Picasso who had a Blue Period between 1901 and 1904. It seems that I have one myself - really not comparing myself to Picasso btw… Recently I created Blue Sheep font and now this one: Little Boy Blue. Little Boy Blue is a very legible, easy-on-the-eye font for texts, books, covers and packaging. Comes with 50 shades of diacritics.

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%% Download Bach Fonts

Bach is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Bach is fantastic and worthwhile for you.

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We have grown a new flower in our Garden, but this time, in a more emotional way, capturing its vibrations and using them to create a fresh handmade typeface: ‘Bach’, a display type system inspired by the new lifestyle trends that look to go back to basics and increase the value of old natural healing methods. Bach comes in two styles: a 6-weight Serif font in regular and italic versions, and a 2-weight Script in regular and bold versions. Ornaments are also included! More… Bach Script is based on the calligraphic catchwords set (handcrafted with brush pen) and the Serif version of the Garden typeface. This font is the perfect choice for labelling, packaging, illustrated books and posters. Go back to nature and feel the vibration again, this time with Bach! Bach is a Mendoza Vergara Studio design with the collaboration of Cecilia Mendoza in digital editing, under the supervision of Luciano Vergara and Coto Mendoza.

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[} Download Fondue Fonts

Fondue We are and so proud to introduce our very best font to you. This Fondue is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Fondue: an eclectic-flavoured contemporary typeface. Designed by Jorge Alberto Martínez and Latinotype Team. Fondue is a type family of eclectic shapes, inspired by Art Deco designs, in particular, the lettering used by the Mexican cartoonist Ernesto “El Chango” Cabral on almost the entire publication Revista de Revistas (“Magazine of Magazines”). Far from being a copy, Fondue expects to be an adaptation of the thinking of that time to be used in contemporary context. More… Fondue has a cursive ductus, wide horizontal proportion and large x-height. Its friendly consistent rhythm makes it ideal for medium-sized text, headlines, branding, and so on. The family comes in 6 weights, from Thin, which reminds of the cartoonist’s loose strokes, to Ultra Bold, the version with powerful and unique voice. Fondue has a set of 496 characters that support 207 different languages.. OpenType features include standard and discretionary ligatures as well as stylistic alternates.

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[**] Download LHF Durango™ Fonts

LHF Durango™ is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that LHF Durango™ is fantastic and worthwhile for you.

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LHF Durango is a rustic Western style, inspired by the opening credits and title of the 1957 version of 3:10 to Yuma. Set includes 4 fonts: Regular, Spurs, Shadow and Distressed. Each font features larger uppercase letters for display purposes. The Distressed version features small caps that have been carefully distressed differently from the large caps for a more organic and natural look. Also includes 5 bonus words and scrolls (To, At, And, The and a blank one for your own message).

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[} Download Modesta Fonts

Modesta is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Modesta is fantastic and worthwhile for you.

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Modesta Sans is a Neo Grotesque sans serif typefamily of seven weights plus matching italics. Inspired by Didone serif fonts and the first Sans serif types from the late 19th century and early 20th century, It reduces many of the eccentricities in order to make them more suitable to modern tastes. Every weight has more than 220 characters and includes uppercase, lowercase, numbers, special characters and a powerful opentype features. More… Perfectly suited for graphic design, headlines, advertisements, and any display use. It could easily work for editorial design, corporate, web, signage and many other uses in print and digital media.

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%% Download Posterama™ Fonts

Posterama™ We are and so proud to introduce our very best font to you. This Posterama™ is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


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Our website is offered to provide the full information details for you 1 day per day so that you can appreciate seeking for the information prior to decision to use your Posterama™ . Not only the elegant information about the font on our website is provides but the reviews from authentic users are seemed on internet to give genuine feedback from real users about our own Posterama™ .


This is valuable to suit your needs because it can help you to produce decision to use each of our Posterama™ or not and it’s the true feedback from real users with no adjusting or making up in the positive feedback. Don’t wait to try our important font and you will understand why we recommend it to you.

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The Posterama™ typeface family contains 63 fonts and is a true journey through space and time. Designed by Jim Ford, each Posterama family contains 7 weights from Thin to Ultra Black, in 9 distinct families. What makes Posterama so unique and versatile are the eight alternative display families. By making use of a collection of alternative glyphs, Posterama sets an evocative flavor to visualize an entire century of futuristic reference points from art, architecture, poster design and science fiction into one family. More… Posterama Text is the base family. It has the most robust character set including upper and lowercase glyphs and pan-European language support (including Greek and Cyrillic). Note: all the other Posterama variants described below do not have lowercase letters or Greek and Cyrillic support. Posterama 1901 recalls the decoratively geometric style of Art Nouveau from the turn of the 20th century. Letterforms such as the slender, snaking ‘S’, the high-waisted ‘E’ and the underlined ‘O’ revive the spirit of Charles Rennie Mackintosh and the designers of the Viennese Secession. Posterama 1913 pays homage to the Armory Show, or 1913 Exhibition of Modern Art, which brought the revolutionary work of European artists such as Picasso, Duchamp and Kandinsky to the US for the first time to the shock and astonishment of press and public. Near-abstract, angular characters such as the ‘A’, ‘E’ and ‘N’ hint at cubism’s jagged and clashing planes. Posterama 1919 uses a small, but important, variation to set a tone when the Bauhaus was founded, and the surge in radical European typography that followed. The straight-sided, roundheaded ‘A’ adds a flavor of 1919 – this style of ‘A’ can still be seen in the Braun logo, designed in 1934. Posterama 1927 captures the year of Metropolis, The Jazz Singer and Paul Renner’s pioneering, geometric Futura typeface from 1927, which had a profound influence on design in the US and Europe. Posterama 1933 – With its low-waisted, sinuous designs, the Posterama 1933 typeface family echoes lettering of the Art Deco period, which in turn had its roots in Art Nouveau, the key influence on Posterama 1901. The two fonts make a great team and can be used interchangeably. Posterama 1945 features a few Cyrillic characters to conjure up an era when Russian art and political posters made their mark in cold war propaganda, espionage and also giant aliens and monsters. Posterama 1984 takes its typographic influences from George Orwell’s classic novel, publicity for the dystopian action and sci-fi movies (Blade Runner, Videodrome and Terminator) and games like Space Invaders and Pac-Man that made an impact at that time. Posterama 2001 was inspired by Stanley Kubrick’s science fiction masterpiece, which made extensive use of the Futura typeface. Posterama 2001 finds its cosmic orbit with its nosecone-style ‘A’ from NASA’s much-missed ‘worm’ logotype. There’s an echo, too, in Bauhaus designs from as early as 1920, whose minimalist, geometric lettering also featured a crossbar-less ‘A’.

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!!! Download Ruth Script Fonts

Ruth Script is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Ruth Script is fantastic and worthwhile for you.

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Ruth Script is perfect for neon signs, we took as referents some of these signs found in the street, especially those hanging in bars, billiard halls, motels and night clubs, we also took into consideration the Photo-lettering One Line manual to solve ligatures and alternatives (We want to thank Ed Ronthaler for that treasure to study and learn).The scripts can be considered as a compendium of connections, aesthetic and functional alternatives, where all the possible word combination is a universe depending on the language and the user’s creativity.We have developed a project that offers to our customers a bridge that connects the brush with the digital typography through a partial vowels and consonants control and ligatures with opentype programming.We know that the scripts make typography users, fall in love. That is why we have created a type font that achieves all the demands and requests for any project where our font can be applied.Ruth Script was designed with patience and love, with the purpose of recovering the work done by those people who have been working as letterer during decades and that have left us hundreds of guides, books and videos. A great legacy!We want to invite you to use Ruth Script in your projects and fall in love with ESTUDIO CALDERÓN’s new daughter. ENJOY IT!

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[###] Download Bank Sans EF Fonts

Bank Sans EF is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Bank Sans EF is fantastic and worthwhile for you.

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With its extended complement, this comprehensive redesign of Bank Gothic by Elsner+Flake offers a wide spectrum for usage. After 80 years, the typeface Bank Gothic, designed by Morris Fuller Benton in 1930, is still as desirable for all areas of graphic design as it has ever been. Its usage spans the design of headlines to exterior design. Game manufacturers adopt this spry typeface, so reminiscent of the Bauhaus and its geometric forms, as often as do architects and web designers. More… The creative path of the Bank Gothic from hot metal type via phototypesetting to digital variations created by desktop designers has by now taken on great breadth. The number of cuts has increased. The original Roman weight has been augmented by Oblique and Italic variants. The original versions came with just a complement of Small Caps. Now, they are, however, enlarged by often quite individualized lower case letters. In order to do justice to the form changes and in order to differentiate between the various versions, the Bank Gothic, since 2007 a US trademark of the Grosse Pointe Group (Trademark FontHaus, USA), is nowadays available under a variety of different names. Some of these variations remain close to the original concept, others strive for greater individualism in their designs. The typeface family which was cut by the American typefoundry ATF (American Type Founders) in the early 1930’s consisted of a normal and a narrow type family, each one in the weights Light, Medium and Bold. In addition to its basic ornamental structure which has its origin in square or rectangular geometric forms, there is another unique feature of the Bank Gothic: the normally round upper case letters such as B, C, G, O, P, Q, R and U are also rectangular. The one exception is the upper case letter D, which remains round, most likely for legibility reasons (there is the danger of mistaking it for the letter O.) Because of the huge success of this type design, which follows the design principles of the more square and the more contemporary adaption of the already existing Copperplate, it was soon adopted by all of the major type and typesetting manufacturers. Thus, the Bank Gothic appeared at Linotype; as Commerce Gothic it was brought out by Ludlow; and as Deluxe Gothic on Intertype typesetters. Among others, it was also available from Monotype and sold under the name Stationer’s Gothic. In 1936, Linotype introduced 6pt and 12pt weights of the condensed version as Card Gothic. Lateron, Linotype came out with Bank Gothic Medium Condensed in larger sizes and a more narrow set width and named it Poster Gothic. With the advent of photoypesetters and CRT technologies, the Bank Gothic experienced an even wider acceptance. The first digital versions, designed according to present computing technologies, was created by Bitstream whose PostScript fonts in Regular and Medium weights have been available through FontShop since 1991. These were followed by digital redesigns by FontHaus, USA, and, in 1996, by Elsner+Flake who were also the first company to add cursive cuts. In 2009, they extended the family to 16 weights in both Roman and Oblique designs. In addition, they created the long-awaited Cyrillic complement. In 2010, Elsner+Flake completed the set with lowercase letters and small caps. Since its redesign the type family has been available from Elsner+Flake under the name Bank Sans®. The character set of the Bank Sans® Caps and the Bank Sans® covers almost all latin-based languages (Europe Plus) as well as the Cyrillic character set MAC OS Cyrillic and MS Windows 1251. Both families are available in Normal, Condensed and Compressed weights in 4 stroke widths each (Light, Regular, Medium and Bold). The basic stroke widths of the different weights have been kept even which allows the mixing of, for instance, normal upper case letters and the more narrow small caps. This gives the family an even wider and more interactive range of use. There are, furthermore, extensive sets of numerals which can be accessed via OpenType-Features. The Bank Sans® type family, as opposed to the Bank Sans® Caps family, contains, instead of the optically reduced upper case letters, newly designed lower case letters and the matching small caps. Bank Sans® fonts are available in the formats OpenType and TrueType.

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### Download Architype Van der Leck Fonts

Architype Van der Leck We are and so proud to introduce our very best font to you. This Architype Van der Leck is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


Not only the fact it is the high quality solution from high quality graphic that can generate the enjoy outcome from our corporation lab but the feedback from our real users of this Architype Van der Leck are also just as by being the good feedback.


Our website is offered to provide the full information details for you 1 day per day so that you can appreciate seeking for the information prior to decision to use your Architype Van der Leck . Not only the elegant information about the font on our website is provides but the reviews from authentic users are seemed on internet to give genuine feedback from real users about our own Architype Van der Leck .


This is valuable to suit your needs because it can help you to produce decision to use each of our Architype Van der Leck or not and it’s the true feedback from real users with no adjusting or making up in the positive feedback. Don’t wait to try our important font and you will understand why we recommend it to you.

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Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Van der Leck originates from the lettering that Bart Van der Leck created for ‘Flax’ magazine in 1941. The letterforms‘ restricted shapes and abstract, stencil-like forms reflect the strong geometric language of De Stijl and show influence from his abstract paintings.

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%%% Download LeBrush Fonts

LeBrush We are and so proud to introduce our very best font to you. This LeBrush is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


Not only the fact it is the high quality solution from high quality graphic that can generate the enjoy outcome from our corporation lab but the feedback from our real users of this LeBrush are also just as by being the good feedback.


Our website is offered to provide the full information details for you 1 day per day so that you can appreciate seeking for the information prior to decision to use your LeBrush . Not only the elegant information about the font on our website is provides but the reviews from authentic users are seemed on internet to give genuine feedback from real users about our own LeBrush .


This is valuable to suit your needs because it can help you to produce decision to use each of our LeBrush or not and it’s the true feedback from real users with no adjusting or making up in the positive feedback. Don’t wait to try our important font and you will understand why we recommend it to you.

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“LeBrush” is a contemporary Roman typeface based on real brush lettering, in 10 styles from Thin to ExtraDark, inspired on the classic Roman proportion of the “Capitalis Monumentalis” present into the Trajan Column and another Greek architectural structures. The “LeBrush classic” weight was specially developed to easily design ‘Movie titling’ graphics, cover books & magazines and posters. More skilled designers and pro-Users can even set the type, in a very smart way, in logotypes and labels as well, using its multiple advanced opentype options and extra ornamental sets. Lowercases allowed users to work in lecture size requirements.

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# Download Corporative Sans Round Condensed Fonts

Corporative Sans Round Condensed is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Corporative Sans Round Condensed is fantastic and worthwhile for you.

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Corporative Sans Rounded Condensed is the narrowed version of Corporative Sans Rounded that offers high performance when using for text, what makes it the perfect match for Andes Rounded. The font works well at both display and small sizes. Corporative Sans Rounded Condensed is the perfect choice for logotypes, posters, signs, branding, packaging and so on! Corporative Sans Rounded Condensed comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. More… Corporative Sans Rounded Condensed provides users with a wide range of characters and weights for every project. By combining different variants, designers can achieve the best results. The family consists of 32 fonts: a basic family that includes 8 weights plus italics and an alternative family of 8 weights with matching italics as well. Corporative Sans Rounded Condensed was created by Latinotype Team and developed by Elizabeth Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernández.

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%% Download Fabrizio Fonts

Fabrizio is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Fabrizio is fantastic and worthwhile for you.

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The new Fabrizio™ types, designed by Ari Rafaeli, have made their first appearance in Saggi di Letteratura Italiana: Da Dante per Pirandello a Orazio Costa, by Lucilla Bonavita, printed at Pisa in March 2016 by Fabrizio Serra Editore for whom the type was specially designed. The types are now offered for general sale. Each style (roman, small capitals, italic, semi-bold, bold) contains Cyrillic and ‘polytonic’ Greek letters and letters for many European languages (Czech, Hungarian, Icelandic, Lettish, Polish, Romanian, Serbian, Ukrainian, Welsh etc.), non-kerning fs, long ſ, ligatures and fractions. Alternative forms are supplied in ‘B’ versions of each style. A set of swash letters and sets of superiors, inferiors, fractions and phonetic letters are also offered. Two ‘Special’ fonts (roman and italic) containing special accents, letters for transliteration, Vietnamese letters, mathematics signs and symbols, arrows, commercial signs, pictograms, figures in circles, scansion marks, braces & benzene rings and the Rafaeli-Meruba Hebrew letters, as well as Latin, Cyrillic and Greek letters, are included in the Fabrizio family.

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[###] Download Mediafont Fonts

Mediafont We are and so proud to introduce our very best font to you. This Mediafont is the successful outcomes of our company trial regarding font invention that will satisfy the customer and provide the better result in comparison with any font in the marketplace nowadays.


Not only the fact it is the high quality solution from high quality graphic that can generate the enjoy outcome from our corporation lab but the feedback from our real users of this Mediafont are also just as by being the good feedback.


Our website is offered to provide the full information details for you 1 day per day so that you can appreciate seeking for the information prior to decision to use your Mediafont . Not only the elegant information about the font on our website is provides but the reviews from authentic users are seemed on internet to give genuine feedback from real users about our own Mediafont .


This is valuable to suit your needs because it can help you to produce decision to use each of our Mediafont or not and it’s the true feedback from real users with no adjusting or making up in the positive feedback. Don’t wait to try our important font and you will understand why we recommend it to you.

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Mediafont is a modern geometric font ideal for titration, branding, poster.

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%% Download Fleischer Display Fonts

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Fleischer is a rough and playful display typeface good for headlines and posters. The face is based on historical letterforms combined with energetic 20th century pulp-style lettering. Fleischer comes with caps and small caps plus West, Central and East European language support.

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[###] Download Okojo Pro Fonts

Okojo Pro is now the hot font that is why you shouldn’t pass up to try it. You will know how fantastic it truly is and why it can make the good sale. Don’t be concerned because it’s not expensive to make you think a lot. We all assure that Okojo Pro is fantastic and worthwhile for you.

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The Okojo Pro Complete family is a reworking of Wordshape’s immensely popular Okojo family of typefaces. It includes Okojo Pro, a semi-geometric sans serif, Okojo Slab Pro, a semi-geometric slab serif, Okojo Pro Display, a round-cornered sans serif variation, and Okojo Slab Pro Display, a round-cornered slab serif. The entire Okojo Pro family looks great at small or large sizes. The Okojo Pro family is designed for readability in long texts while simultaneously functioning as effective display type. More… Features of Okojo Pro Display:- all lowercase characters have an enlarged x-height, creating less optical dazzle than typefaces like Futura, Neutra or Avant Garde- more humanist numerals and punctuation for enhanced readability- complete Western, Central and Eastern European characters sets- radically improved spacing guaranteeing beautiful results in print and on screen for the Czech, English, Hungarian, Croatian, Esperanto, Maltese, Romanian, Turkish, Albanian, French, Portuguese, Spanish, Basque, Bulgarian, Finnish, Swedish, Norwegian languages The Okojo Pro Display family is influenced by the type designs of Paul Renner and Herb Lubalin, but smoothed over with more than a bit of Americana. Both work well on-screen as webfonts and in print as book type. Each is hinted with accuracy and kerned with precision.The lighter weights are slightly slimmer than the regular and bold weights to give the typeface more of a vertical feel, inviting readers' to rapidly read typeset text with a maximum of contrast and a minimum of optical distortion. Okojo: it’s a little bit country and a little bit rock’n’roll.

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